BYU Library - Special Collections

Contains correspondence of Anna Bartlett Dwight Baker dated December 4, 1891 to March 24, 1897 in Versailles and New York. Letters concern Anna's travels around the world and gratitude for gifts from Anna.

Correspondence of Anna D. B. Weir, dated April 25, 1882 to November 3, 1891 in New York. Letters concern J. Alden Weir artwork, family members, and a series of letters involving Julian and Anna's courtship.

Contains correspondence dated from approximately July 12, 1804 to March 21, 1896. The papers include familial information about the Bayard family, correspondence, and newspaper clippings.

Diary of Carrie M. Weir, dated April 28 to June 12, 1884. The journal is a partial account of a trip by train from Cheyenne, Wyoming, to Los Angeles, California, via Denver, Colorado, and back to Cheyenne again.

Contains correspondence by Julian Alden Weir, dating from between 1873 and 1929 in France and New York. The letters are primarily to Julian Alden Weir and concern his artwork. Some of the primary authors are Jules and Emile Bastien-LePage, John Singer Sargent, and J. Appleton Brown.

Correspondence of Ella Baker Weir, dated from 1882 to 1929 in New York. Letters primarily concern the settlement of the estate of J. Alden Weir and the 1925 memorial exhibition of his work.

Contains a letter written by Robert Walter Weir to John Brinkley Weir on September 29, 1859 in West Point. The letter discusses the payment of debts that should be made by John Brinkley Weir.

Contains correspondence of John Ferguson Weir dated from December 18, 1873 to July 1, 1920 primarily from West Point. The letters concern artwork, family events, and future exhibitions.

Contains correspondence by Julian Alden Weir, dating from between 1873 and 1929 in France and New York. The letters are primarily to Julian Alden Weir and concern his artwork. Some of the primary authors are Jules and Emile Bastien-LePage, John Singer Sargent, and J. Appleton Brown.

Contains sketches by Julian Alden Weir, dating from between 1873 and 1929. The folders include pencil sketches, lithographs, and a photograph of a sketch for his portrait of Albert Pinkham Ryder. The reproduction included in this artwork are clippings from magazines, books, and exhibition catalogues.